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Hard to Swallow: Hard-Core Pornography on Screen
Ebook Hard to Swallow: Hard-Core Pornography on Screen
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Review
An excellent snapshot of porn studies as they are today and provides an insight into the range and quality of critical engagement with hardcore pornography in the industry, in the academy, and beyond. (Laura Ellen Joyce New Review of Film and Television Studies)The book is rich of information. (Thierry Leterre Journal of the International Network for Sexual Ethics and Politics, Vol 4/2016)
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About the Author
Claire Hines is Senior Lecturer in Film and Television Studies at Southampton Solent University, UK. She is co-author of Fantasy (with Jacqueline Furby, 2011) and her research and publications focus on James Bond, men's magazines, and representations of gender and sexuality on screen. Darren Kerr is Senior Lecturer in Film and Television Studies at Southampton Solent University, UK. He is co-editor of Tainted Love: Screening Sexual Perversities (with Donna Peberdy, 2012) and his research and publications focus on adaptation, pornography, and short films.
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Product details
Paperback: 244 pages
Publisher: Wallflower Press (May 29, 2012)
Language: English
ISBN-10: 0231162138
ISBN-13: 978-0231162135
Product Dimensions:
6.2 x 0.8 x 9.2 inches
Shipping Weight: 15.2 ounces (View shipping rates and policies)
Average Customer Review:
2.7 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#1,513,950 in Books (See Top 100 in Books)
This is part of a recent wave of academic studies on porn, a collection of papers/articles by supposed learned scholars but the selection is not as pointed as one might like, or as near to the edge as it should be in 2012.Most selections seem to be surveys rather than true insightful investigations into trends or positions that some pornographers take. Boyle's discussion of "authenticity" takes Max Hardcore as the case study, a rich but limited example, and a long article on the "Pirates" (2005) porn hit tries to make more of its timed release to Disney's Pirates of the Caribbean movies than is there (come on guys, it's really just a Digital Playground rip-off. Just because it was successful does not mean it's particularly ground-breaking).I thought a couple of later articles, including fashion in porn (Gibson and Kirkham's "Fashionably Laid") opened up new areas, and Johnson's discussion of "Shortbus" as well as Smith's "Reel Intercourse" address the authenticity of visual depiction of sex on-screen that Boyle doesn't come near. The book ends with 2 pieces on both gay pornography and lesbian porn, seemingly more an attempt to invite everyone in the tent. The lesbian piece (by Beirne) interrogates the shift from a presumed male gaze and is most interesting if dense in its analysis of Williams and Mulvey's earlier discourse on how the camera 'genders' events.The introduction addresses how the Internet has democratized and personalized porn consumption, a topic of how people access the material on their own, in private, on their own terms, that lies only on the outskirts of this collection. The book seems more interested in porn from an earlier age, and there are no articles on the impact of VHS or DVD consumption (the '80s and '90s) and how that reconfigured film-based "movie theatre" porn into "home viewing" porn. No discussion of how production changed the content or the consumption. (The subtitle, "Hard-core Pornography On Screen" may lead you to believe the book is interested in projected or the theatrical era - it is not.)Warning - some writers have forgone a basic level of factchecking. McNair's opening piece on porn in popular culture contains fatal factual errors that undermine any confidence in the rigor of his research: Rod Steiger was not in "Hardcore" (1979); George C. Scott was. "The Idiots" (1998) was not the first Dogme film (although it was von Trier's first under the Dogme rules). Breillat's "Romance" (1999) should not be defined as her first film to explore feminine sexuality - she was exploring this realm as early as 1976's "A Real Young Girl."A niggling lack of insight or breaking ground makes this collection less than seminal. It does little to tie the video age ('80s, Max Hardcore era, etc.) to current trends. There are gems of insight here, but the field is still struggling with a not entirely cutting-edge level of discourse.
This is a collection of articles written about what appears on screens in the adult industry. Topics include British documentaries, on-line material, legal issues, comments on a Kinsey Institute screening of old films, 'Behind the "Green Door', extreme material, clothing, and same gender material. Insightful, includes B/W images, swear words.
How do books like this get printed and sold?This book is so poorly researched that within 8 pages I noticed 4 typos and 5 factual errors. Then something that was EASILY not only fixable but should never have made it past an editor was repeated again and again.They are talking about the 1979 Hardcore and they keep talking about how amazing Rod Steiger is in the movie. I didn't remember him in that... because he isn't. Then they go on and on about Hardcore and they keep talking about Rod Steiger. I realize they mean George C Scott. They confused Rod Steiger with George C Scott for 8 straight pages.How does a book like this get sent out to market with NO ONE editing it?I put the book down and returned it to the library.
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